What is the “Fifth Generation of Chinese Filmmakers” and why was this generation so important? Why are these filmmakers called “a new avant-garde? What are some of the most important innovations that they introduced to Chinese filmmaking? What are some of the key themes, techniques, and aesthetics they engaged in their cinematic work, and how do these films reject and subvert socialist realist cinematic modes? Choose two Fifth Generation films and analyze them in a comparative framework. 1. Construct a clear, well-rounded thesis / argument. 2. Analyze and discuss TWO (2) films within the framework of your central thesis / argument. 3. Integrate and engage ideas in at least ONE (1) secondary source of relevant scholarship or theory. Be sure to accurately cite the author and title of the text(s) you are referring to. 4. Follow correct formatting guidelines (MLA or Chicago Manual of Style) for all references and bibliography (list of works cited).